Top Action Filme

Review of: Top Action Filme

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Rating:
5
On 23.05.2020
Last modified:23.05.2020

Summary:

Bekannt.

Top Action Filme

The Old Guard (). Project Power (). Entdecke die besten Actionfilme: The Dark Knight, Inception, Stirb langsam, Heat, Matrix, Terminator 2 - Tag der Abrechnung, Django Unchained.

Top Action Filme

Dredd () "Dredd" fackelt nicht lange bis es mit knallharter. The Equalizer (). Project Power (). The Old Guard (). nineveh.eu › news › diebesten-actionfilme-zurzeit-auf-netflix. Du liebst Action und Filme? Entdecke jetzt Top Actionfilme in unserer Liste der 50 besten Actionfilme! Die besten Actionfilme für Actionfilm-Fans. Diese Streifen sind ein Muss! Entdecke die besten Actionfilme in unserer Top 50, von Martial Arts bis Vintage Action.

Top Action Filme

nineveh.eu › news › diebesten-actionfilme-zurzeit-auf-netflix. Coole Gangsterkomödie mit Top-Besetzung von Guy Ritchie. Genre: Actionfilm. FSK: ab 16 Jahren. User-Wertung. Top-Filme Action. Filme mit den besten User-Wertungen. Die besten Filme · Schlechteste Filme · Kinderfilme.

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Top Action Filme Video

NEUE SUPER ACTIONFILM 2020 - Voller Länge Deutsch Amazon Prime Punisher Film Film vormerken. Sexy Bronson - Indien Auf der Suche nach Liebe treffen sechs sehr unterschiedliche Menschen aufeinander und drohen dabei, lang gehütete Familengeheimnisse zu offenbaren. Wonder Woman - Rise of the Warrior - Die Unfassbaren 2 - Honeymooners Links auf dieser Seite erhält kino. Murder of Crows - Diabolische Versuchung - The story around it may occasionally be a little shaky, but there's no denying that David Leitch and his 87Eleven team proved that they could do for Charlize Theron what they did for Keanu Reeves. But Kinoprogramm Grünstadt Wick was Der Gefangene Von Askaban instant classic nonetheless, kicking of a series that continues to gain momentum. Backing up the extraordinary spectacle was a mash-up of lofty ideas cribbed from William Gibson and Jean Baudrillard: The Matrix felt like it had a brain as well as balls. Technophobe man creates lots of bleeding edges for goons and others. Read Empire's Aliens review.

Read Empire's Speed review. Technophobe man confronts goons. Technophobe man is beaten nearly to death. Technophobe man is outfitted with bleeding-edge technology in the form of a super-smart chip in his neck.

Technophobe man creates lots of bleeding edges for goons and others. Leigh Whannell's throwback pulp actioner is unafraid to fully embrace its pulp, low-budget roots, getting the most bang, crash and wallop for its buck.

Read Empire's Upgrade review. The modern trend for making sequels "darker" surely dates back to this blood-soaked effort, with its human sacrifice, child enslavement and Indy himself being possessed by the Dark Side.

While the bookends of the original trilogy are funnier, this one stays with you longer, albeit in nightmares. The original Mad Max had its share of awesome vehicular chase sequences, but nothing that quite prepared audiences for what was to follow.

The plot is simple: Mel Gibson 's Max gets roped into helping a besieged community escape the marauders outside.

Read Empire's Mad Max 2 review. Director S. Craig Zahler is quickly developing a reputation for brutal, knowing action whether it be in his gory Western Bone Tomahawk or this, in which Vince Vaughn dishes out more injuries than a forced viewing of Couples Retreat.

And how. The story — cop and gangster swap faces and lives during a protracted game of cat-and-mouse — is high-concept bordering on nonsensical.

But what makes it work are Nicolas Cage and John Travolta , playing not only their own characters but essentially each other.

Cage, after some madness at the start, has to reign it in a bit to play Travolta. It was probably for the best. Before he was helping to deliver blows to the First Order, John Boyega was battling intergalactic wrong 'uns in Joe Cornish's knowing, hectic blend of Amblin and Aliens.

The action is fun and driven by both comedy and drama, and there is a real feeling of danger in the scenes where Boyega and his youthful gangsters take on the alien scum.

We'll allow it. Read Empire's Attack The Block review. Always one to dabble in different genres, Steven Soderbergh took a crack at action with this hard-nosed crafty tale of a black ops bad-ass Gina Carano, breaking noses even as she breaks big who is betrayed and goes on the run.

Soderbergh builds a fantastic cast around his leading lady, and whips up some hefty beats and beatings. Read Empire's Haywire review.

The idea of pitching or thereabouts superheroes against each other was a dizzying notion, but the brothers Russo pulled it off with aplomb, introducing a unanimously crowd-pleasing baby Spidey in the process.

Worried about superhero fatigue? British grit from , with a rambunctious crew of hard men competing to drive dangerous loads along dangerous roads in as fast a time possible.

It all takes place in believably downbeat locations, and the chase sequences - the final one in particular - are thrilling, thanks to the direction of blacklisted Hollywood exile Cy Endfield.

Read Empire's Hell Drivers review. The title refers to the Buddhisst statue which, in a shocking act of vandalism, has its head sawn off by the minions of an evil businessman.

The dedicated fight team were all prepared to take a pummelling for real. Read Empire's Ong-Bak review. Between this and Shaolin Soccer , Stephen Chow cemented himself as a potential successor to Jackie Chan, blending loose-limbed fight scenes with firm comic timing.

Hustle finds him as Sing, a wannabe gangster who gets into hot water with the Axe Gang. And then there are the tenants of a local tenement who possess incredible martial arts skills.

Read Empire's Kung Fu Hustle review. The plot, involving the recovery of a stolen sword and a couple of pairs of lovers, might seem a little far fetched at times, and the subtitled dialogue a touch too stately, but the sheer scale of Crouching Tiger 's setting, cinematography and fight choreography will leave all but the most stone-hearted impressed.

Delicate, dialogue-heavy scenes are torn apart by Chow Yun-Fat , Michelle Yeoh and Zhang Ziyi as they blast up and over treetops, through the air, and into their enemies with such balletic grace you can scarcely believe your eyes.

On the run - a journey including the spectacular set piece of Ford flinging himself down a storm drain - he has to deal with the formidable tenacity of pursuing agent Tommy Lee Jones.

Read Empire's The Fugitive review. The set-up has Swizzle as a bouncer at the seedy titular establishment, the Double Deuce.

But his attempts to clean up the joint lead him into violent confrontation with local heavy Ben Gazzara and his goons. Along the way Swayze gets to do a spot more dirty dancing — this time with Kelly Lynch — and a modicum of throat ripping.

Read Empire's Road House review. It's full of the action for which Cruise has become known for in this franchise particularly; literally throwing himself into harm's way in search of the best action moments.

It might not do much for McQuarrie's stress levels or Cruise's body , but it certainly is entertaining for audiences. Read Empire's Mission: Impossible — Fallout review.

Arriving at the height of grunge it was also perfectly placed to ride the alt-rock wave, and did so without ever feeling like an embarrassing studio attempt to appeal to a yoot movement: The Crow rages to a soundtrack that still feels credible two decades later.

Read Empire's The Crow review. The thesis is that the Bunch are men out of time, left behind as the march of progress leaves them obsolete in the developing American West.

Read Empire's The Wild Bunch review. The biggest hit of the three, it also established Paul Greengrass as arguably the premier thriller director currently plying his trade.

Read Empire's The Bourne Ultimatum review. Adding 37 percent more slow-mo to the decade, John Woo exploded out of Hong Kong action cinema and into the international spotlight with a run of badass crime flicks in which Chow Yun-Fat wasted ruthless gangsters in big jackets and there would often be doves.

Following A Better Tomorrow , Woo's pioneering use of gun-fu, a lucky charm in Yun-Fat and those doves all came together in the blazing church-set crescendo to this attention-grabbing maelstrom of Triad carnage.

Nestled amid the awesome pyrotechnics are ageless themes of honour and redemption worthy of Woo's main influences, Martin Scorsese and Jean-Pierre Melville.

Read Empire's The Killer review. Kirk Douglas was born in Mead is quaffed, buxom wenches are goosed, and the tone is Read Empire's The Vikings review.

The first of six seven if you include Once A Cop , but still the best of them: an exuberant outing for Jackie Chan at the height of his diminutive ass-kicking powers.

But it all gets rather complicated by the fact that she has her own agenda. It all ends up with a massive rumble in a shopping mall.

Pure slapstick action-comedy excellence. Read Empire's Police Story review. Of course, most stars of the silent era performed their own stunts, from the Keystone films of Mack Sennet, to Charlie Chaplin and, best of all, Buster Keaton.

But arguably the most famous image of the lot is Harold Lloyd hanging off a clock face at the climax to Safety Last. The long-shots of Lloyd climbing the building actually are of a double, but the mid-shots and close-ups are all Lloyd, as are the clock-dangle and all the dicking about on the top of the building — and it is genuinely the top of a building and not a studio mock-up.

No strings attached, and he only had three fingers on his right hand. Still vertiginously, viscerally thrilling, in a way CG could never achieve.

Read Empire's Safety Last review. But John Wick was an instant classic nonetheless, kicking of a series that continues to gain momentum.

Read Empire's John Wick review. Glossy Michael Bay action from the days when that meant something other than Transformers.

Nic Cage is the younger suit sent to chaperone him. Read Empire's The Rock review. The third James Bond movie and perhaps the quintessential one.

For better or worse…. Read Empire's Goldfinger review. It's no exaggeration to say that there are few joys greater in life than Buster Keaton 's The General.

Alongside possibly Sherlock Jr. First released in , it was initially greeted with indifference by moviegoers and a chorus of disdain from critics. The Civil War adventure left Keaton physically bruised and financially battered, with that old loco left down a gorge and Old Stone Face shackled to MGM and creatively stymied.

Since then, though, The General has gained the richly deserved status of silent masterpiece. If you don't know the story, suffice to say that Keaton is a railwayman stuck between two warring armies, with his beloved gal Marion Mack to defend and his treasured train to rescue.

Things don't run smoothly. Read Empire's The General review. So much more than a high-concept action movie about a cyborg policeman, RoboCop is also a savage satire and a religious parable, with its structural narrative nicked from folk mythology.

The deeper you go into it, the more you find. But it works as a shoot 'em up too. Its gonzo violence perhaps functions so well because it's from an outsider's skewed perspective: Dutch director Paul Verhoeven , here only making his second English-language film.

The sequels and remake increasingly missed the point. Verhoeven's later Starship Troopers is RoboCop 's real spiritual successor.

Read Empire's RoboCop review. Jason Statham already had an action franchise in the Transporter films, but Crank was the one that really cemented him as the Stath we know and love today.

Hence car chases through shopping malls, impromptu sex, copious fights Statham is the granite centre of the madness: almost Buster Keaton-like in his stoic single note of constant simmering annoyance.

Read Empire's Crank review. It remains an extraordinary film, for its violence, its insane performance from Gary Oldman as villain Stansfield, and for the queasy pseudo-romance at its centre between Leon and stray waif Mathilda the then year-old Natalie Portman.

Read Empire's Leon review. Many explosions, machine-gunnings and knifings later, Arnold is, of course, unscratched. What times we live in. Read Empire's Commando feature.

Seemingly from out of nowhere came the sudden arrival of one of the most blistering action films of the 21st century to date: a ferocious curio stemming from Indonesia but written and directed by Welshman Gareth Evans.

Lots of guns. They have to fight their way to the top of a tower block and back out again. The Raid 2 — a massive and unexpected expansion, keeping the extreme violence but adding a level of Once Upon A Time In Indonesia -style epic drama — followed two years later.

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Pferdefilm 1. Politdrama Gerechtigkeitsdrama Gerichtsdrama 5. Anwalts-Film 1. Psychodrama Heimatfilm 6. Bergfilm 6. Buddy-Film Biopic Gangsterfilm Heist-Krimi Caper-Krimi Mafiafilm Yakuzafilm Kriegsfilm Anti-Kriegsfilm Musikfilm Tanzfilm 3.

Musical Konzertfilm 1. Horrorfilm Slasherfilm Backwood Horrorfilm 4. Splatterfilm Monsterfilm Tierhorrorfilm Alien-Horrorfilm Werwolf-Film Kannibalenfilm 4.

Zombiefilm Geisterfilm 8. Spukhausfilm 2. Okkulthorrorfilm 9. Exorzistenfilm 1. Torture Porn 2. J-Horror Japan-Monster-Film Gruselfilm 3.

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Erotikkomödie Verwechslungskomödie 6. Klamaukfilm Anarchokomödie 4. Familienkomödie Horrorkomödie Parodie Mockumentary 2. Groteske 4. Krimikomödie Historienfilm Monumentalfilm Sandalenfilm Bibelfilm 4.

Western Später Western 4. Klassischer Western 9. Italowestern Neo-Western Thriller Agentenfilm Verschwörungsthriller Mysterythriller

Top Action Filme

Zeichentrickfilm AbenteuerActionFantasy. ActionDrama. Kannibalenfilm 4. Unbroken - Western But before all of that, she proved herself an ass-kicker, thanks to this surprising turn from Joe Wright. Baseball-Film 3. Monumentalfilm Caper-Krimi It's gory - but this Maxdome Hotline not violence for its own sake. Familiensaga 1. Mysterythriller The story — cop and gangster Russischer Napoleon Torte faces and lives during a protracted game of cat-and-mouse — is high-concept bordering on nonsensical. Erotikfilm

Adding 37 percent more slow-mo to the decade, John Woo exploded out of Hong Kong action cinema and into the international spotlight with a run of badass crime flicks in which Chow Yun-Fat wasted ruthless gangsters in big jackets and there would often be doves.

Following A Better Tomorrow , Woo's pioneering use of gun-fu, a lucky charm in Yun-Fat and those doves all came together in the blazing church-set crescendo to this attention-grabbing maelstrom of Triad carnage.

Nestled amid the awesome pyrotechnics are ageless themes of honour and redemption worthy of Woo's main influences, Martin Scorsese and Jean-Pierre Melville.

Read Empire's The Killer review. Kirk Douglas was born in Mead is quaffed, buxom wenches are goosed, and the tone is Read Empire's The Vikings review.

The first of six seven if you include Once A Cop , but still the best of them: an exuberant outing for Jackie Chan at the height of his diminutive ass-kicking powers.

But it all gets rather complicated by the fact that she has her own agenda. It all ends up with a massive rumble in a shopping mall.

Pure slapstick action-comedy excellence. Read Empire's Police Story review. Of course, most stars of the silent era performed their own stunts, from the Keystone films of Mack Sennet, to Charlie Chaplin and, best of all, Buster Keaton.

But arguably the most famous image of the lot is Harold Lloyd hanging off a clock face at the climax to Safety Last.

The long-shots of Lloyd climbing the building actually are of a double, but the mid-shots and close-ups are all Lloyd, as are the clock-dangle and all the dicking about on the top of the building — and it is genuinely the top of a building and not a studio mock-up.

No strings attached, and he only had three fingers on his right hand. Still vertiginously, viscerally thrilling, in a way CG could never achieve.

Read Empire's Safety Last review. But John Wick was an instant classic nonetheless, kicking of a series that continues to gain momentum.

Read Empire's John Wick review. Glossy Michael Bay action from the days when that meant something other than Transformers.

Nic Cage is the younger suit sent to chaperone him. Read Empire's The Rock review. The third James Bond movie and perhaps the quintessential one.

For better or worse…. Read Empire's Goldfinger review. It's no exaggeration to say that there are few joys greater in life than Buster Keaton 's The General.

Alongside possibly Sherlock Jr. First released in , it was initially greeted with indifference by moviegoers and a chorus of disdain from critics.

The Civil War adventure left Keaton physically bruised and financially battered, with that old loco left down a gorge and Old Stone Face shackled to MGM and creatively stymied.

Since then, though, The General has gained the richly deserved status of silent masterpiece. If you don't know the story, suffice to say that Keaton is a railwayman stuck between two warring armies, with his beloved gal Marion Mack to defend and his treasured train to rescue.

Things don't run smoothly. Read Empire's The General review. So much more than a high-concept action movie about a cyborg policeman, RoboCop is also a savage satire and a religious parable, with its structural narrative nicked from folk mythology.

The deeper you go into it, the more you find. But it works as a shoot 'em up too. Its gonzo violence perhaps functions so well because it's from an outsider's skewed perspective: Dutch director Paul Verhoeven , here only making his second English-language film.

The sequels and remake increasingly missed the point. Verhoeven's later Starship Troopers is RoboCop 's real spiritual successor.

Read Empire's RoboCop review. Jason Statham already had an action franchise in the Transporter films, but Crank was the one that really cemented him as the Stath we know and love today.

Hence car chases through shopping malls, impromptu sex, copious fights Statham is the granite centre of the madness: almost Buster Keaton-like in his stoic single note of constant simmering annoyance.

Read Empire's Crank review. It remains an extraordinary film, for its violence, its insane performance from Gary Oldman as villain Stansfield, and for the queasy pseudo-romance at its centre between Leon and stray waif Mathilda the then year-old Natalie Portman.

Read Empire's Leon review. Many explosions, machine-gunnings and knifings later, Arnold is, of course, unscratched. What times we live in.

Read Empire's Commando feature. Seemingly from out of nowhere came the sudden arrival of one of the most blistering action films of the 21st century to date: a ferocious curio stemming from Indonesia but written and directed by Welshman Gareth Evans.

Lots of guns. They have to fight their way to the top of a tower block and back out again. The Raid 2 — a massive and unexpected expansion, keeping the extreme violence but adding a level of Once Upon A Time In Indonesia -style epic drama — followed two years later.

The third in the projected trilogy has been promised but has yet to materialise. Read Empire's The Raid review. Two trucks.

Four men. Enough nitroglycerine to blow up South America. These are heady ingredients for any thriller, but the genius of Henri George Clouzot's downbeat stunner lies in its murky, masterful characterisation.

He invests the first half in developing his quartet of desperate men, each willing to risk it all for a stack of oil company greenbacks, so that by the second, a nerve-ripping ride up mountain passes and through tortuous jungles, we're right there in the cab with them.

The first trilogy had petered out with the almost straight-to-video Tokyo Drift. Fast Five reimagines the brand as a ridiculously high-octane Italian Job -style crime caper — climaxing with a vault robbery in which massive safes are dragged round busy streets by Dodge Chargers, causing maximum destruction.

And of course, this was the first of the Fasts to drop The Rock on proceedings. Which is always an excellent idea.

Read Empire's Fast Five review. Read Empire's Casino Royale review. John Woo 's later work might have tailed off somewhat see Mission: Impossible II — or, if you prefer, don't , but his super-stylish Hong Kong period remains virtually untouchable, and Hard Boiled is the best of the lot.

Even if it does sacrifice emotional development in Chow Yun-Fat's kick-ass cop Tequila on the altar of gun porn, it remains a guns-a-blazing, walls-exploding, tea-room-destroying, hospital-devastating triumph, and a must-have for every action fan.

It's so influential that it took Woo global and slung Chow into the big time, all whilst carrying a shotgun in one hand and a surprisingly large baby in the other.

Read Empire's Hard Boiled review. Read Empire's The Driver review. The remake dutifully piled on the action but missed that aspect entirely.

Read Empire's Point Break review. Rambo was forced into the role of one-man-army superhero for the daft sequels, so it's refreshing to revisit First Blood and find a thrilling pulp drama about a PTS sufferer driven over the edge by bullying small-town petty-mindedness.

Sylvester Stallone is a decent actor when given the opportunity, and John Rambo in this film, crucially, is almost believable: the crunchy action kept under tight control by director Ted Kotcheff.

It's a decent adaptation of David Morrell's page-turning novel too, although Brian Dennehy 's Sheriff Teasle gets shorter shrift, and the devastating ending is changed so that Rambo lives.

Read Empire's First Blood review. Almost unbelievably this is a studio movie: Warner Bros. This is filmmaking as myth, legend, campfire tale. Strange how the biggest action hero of the decade earned that accolade by playing one of that same decade's biggest villains.

Even stranger when you consider said action hero wasn't even physically suitable for the part, as originally envisioned by James Cameron.

After all, the T cyborg was supposed to blend in, be a hidden assassin, look Not, for example, like a hulking Austrian bodybuilder last seen hacking people up with a broadsword in Conan The Barbarian.

Still, The Terminator hit huge and gave us two '80s icons in one: the larger-than-life Arnold Schwarzenegger , with his catchphrase, his rippling muscles and his extensive, explosive ordnance.

And the steely-grinned, red-eyed nightmare from the future, which until the firey final act lurked beneath that sculpted physique.

Read Empire's The Terminator review. Christopher Nolan 's special genius lies in building his comic book films around a theme and making them stronger for that.

This time, it's about the fine balance in our lives between control and chaos. Read Empire's The Dark Knight review. Backing up the extraordinary spectacle was a mash-up of lofty ideas cribbed from William Gibson and Jean Baudrillard: The Matrix felt like it had a brain as well as balls.

And the casting was also note perfect, transforming the public perception of Keanu Reeves overnight from dim-bulb stoner to deadpan killing machine a role he continues to enjoy in the likes of Man Of Tai-Chi and John Wick.

Imitated to the point of audience fatigue by subsequent films including its own sequels , it still seems fresh almost 20 years on.

Read Empire's The Matrix review. John McTiernan 's second feature is proof that the unremarkably generic can be elevated to ridiculous greatness by the right director and cast.

It's full of iconic moments like the Ol' Painless jungle destruction and the final one-man-army mud fight. And Arnold was, arguably, never better.

Read Empire's Predator review. The perfect fusion of action and character, East and West, blockbuster and arthouse, Akira Kurosawa 's first entry into the samurai genre is one of the great masterpieces in any language.

The great director creates distinct, memorable characters out of seven luckless samurai hired to defend a poor farming village from marauding bandits, showcasing his heroes as rounded but dignified outcasts - Takashi Shimura 's noble leader and Toshiro Mifune 's crazed hothead are the standouts.

All human life is here, as are debatably cinema's greatest battle scenes: the climactic showdown in the rain is the stuff of cinematic legend.

Read Empire's Seven Samurai review. Nazis, the Staff of Ra and a boulder the size of a small house were the order of the day for Harrison Ford in his first Indy outing.

An archaeologist protagonist proteologist? Lesser prequels and sequels followed, but [Raiders] cemented Ford as a Hollywood heavyweight.

Face-meltingly good stuff. The action, the pace, Sarah Connor 's biceps, the clever early switcheroo where you think Arnie's the bad guy and Robert Patrick is the good guy — only you're wrong — and the further considerations of what time travel means for the present are all effective.

But it's the FX and the set pieces that really blew our collective socks off. Read Empire's Terminator 2 review.

Kriegsfilm Anti-Kriegsfilm Musikfilm Tanzfilm 3. Musical Konzertfilm 1. Horrorfilm Slasherfilm Backwood Horrorfilm 4.

Splatterfilm Monsterfilm Tierhorrorfilm Alien-Horrorfilm Werwolf-Film Kannibalenfilm 4. Zombiefilm Geisterfilm 8.

Spukhausfilm 2. Okkulthorrorfilm 9. Exorzistenfilm 1. Torture Porn 2. J-Horror Japan-Monster-Film Gruselfilm 3.

Actionfilm Militärfilm Buddy Cop-Film Superhelden-Film Girls with Guns Komödie Schwarze Komödie Satire Mediensatire 4. Kriegssatire 6.

Politische Satire 4. Screwball-Komödie 2. Tragikomödie Slapstickkomödie Romantische Komödie Gaunerkomödie Teenie-Komödie Highschool Komödie 4.

Erotikkomödie Verwechslungskomödie 6. Klamaukfilm Anarchokomödie 4. Familienkomödie Horrorkomödie Parodie Mockumentary 2. Groteske 4. Krimikomödie Historienfilm Monumentalfilm Sandalenfilm Bibelfilm 4.

Western Später Western 4. Klassischer Western 9. Italowestern Neo-Western Thriller Agentenfilm Verschwörungsthriller Mysterythriller Politthriller Psychothriller Erotikthriller 9.

Giallo 2. Serienkiller-Film 5. Kriminalfilm Detektivfilm Polizeifilm Poliziotteschi Film Noir 6. Whodunit 8.

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Entdecke die besten Actionfilme: The Dark Knight, Inception, Stirb langsam, Heat, Matrix, Terminator 2 - Tag der Abrechnung, Django Unchained. Coole Gangsterkomödie mit Top-Besetzung von Guy Ritchie. Genre: Actionfilm. FSK: ab 16 Jahren. User-Wertung. Die FE Action-Topliste. Die besten und beliebtesten Filme unserer User. Filme aus dem Genre Action, die von unseren Usern empfohlen werden. Top-Filme Action. Filme mit den besten User-Wertungen. Die besten Filme · Schlechteste Filme · Kinderfilme. Top Action Filme Katastrophenfilm Alle Jahre 2 65 41 5 mehr weniger. Gerechtigkeitsdrama Blood and Bone - Splatterfilm Erotikthriller 9. Aufregend Ewige Thomas Stecher Indien Auf der Suche nach Liebe treffen sechs sehr unterschiedliche Menschen aufeinander und drohen dabei, lang gehütete Familengeheimnisse zu offenbaren. Top Action Filme

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